Ajuntament de Barcelona, Museu del Disseny de Barcelona / 2015 / Òscar Guayabero (curator) / Graphic design applied to the exhibition and to the museum’s external communication. This was the first exhibition to be produced by the Museu del Disseny de Barcelona and was awarded the City of Barcelona Prize in 2015. / Designed in collaboration with Bet Puigbò and Claudia Parra. Photo: © Xavi Padrós
Centre de Cultura Contemporània de Barcelona (CCCB) / 2012-2019 / David Bravo (curator) / An international touring exhibition: Barcelona, Prague, London, Ljubljana, Athens, Lisbon, Paris, Szczecin, Helsinki, Lyon, Brussels, Budapest, Timisoara, New York, Mexico City, etc. / Over the years, the organisation of the award has triggered two types of shows, one dedicated to the projects selected each year, and the other, entitled Polis, retrospective in nature and characterised by a thematic arrangement. The exhibition format, extremely simple as regards shipping and installation, has gradually taken shape, adapting to the venues that welcomed it and to existing production budgets.
Indissoluble / 2017 / Cosmo Caixa, Barcelona / Indissoluble + Inmedulla + W. Hinzen + T. Martín (curators) / Barcelona / A graphic design collaboration with the Indissoluble team to create an identity for the exhibition. Language considered from a biological aspect, bearing in mind its evolution and historical, scientific and philological development, was the inspiration for constructing a masthead-logotype in constant mutation. Deconstructed and recomposed, it became the basis of the graphic design for the various capsules and devices throughout the galleries. Photo: © Indissoluble.
Fundació Suñol / 2017 / Espai Zero, Fundació Suñol, Barcelona / Revista Ajoblanco (curator) / A selection of contents from the first Barcelona period (the seventies) of Ajoblanco magazine on display at Fundació Suñol. The idea was to present the context and hectic activity of those years with a dense graphic design, expressive and colourful, yet at once clear and synthetic in its display of messages. Photo: Inma Alcario
Centro Cultural Conde Duque, Acex / 2014 / Valentín Roma (curator) / Madrid / «[This exhibition] is an exhaustive thematic survey of the entire history of the publication, recovering material hitherto unpublished or difficult access, features, documents and meaningful lines of research, along with accounts and texts written by many of those who were involved in the venture. The intentions of the exhibition are, on the one hand, to revisit Ajoblanco in the present in order to explore its main contributions and contextualise them and, on the other, to passionately delve into that dissident, libertarian and roguish desire to experience culture, ideas and personal and collective changes.» Valentín Roma. (Excerpt from the brochure.) / Designed in collaboration with Manuel Cuyàs and Claudia Parra.
Galería Moisés Pérez de Albéniz / 2017-2020 / ARCO, estand de El País, Madrid, 2020; Kent Fine Arts, Nova York, 2017; Galería Moisés Pérez de Albéniz, Madrid, 2017 / The production of Palabras, palabras… (Words, Words …) addresses the redefinition of public space through politics and the media. The proposal develops a series of specific graphic distortions for each term, although it aims to reflect a visual unit of the intervention. Photo: © Santi Burgos
Elisava / 2019 / Àgora Room, Elisava School of Design and Engineering, Barcelona / Exhibition of publishing projects of the 2018-2019 Editorial Design course. Curatorial project carried out jointly with professors Rocío Hidalgo, Daniel Paladini and Edith Stone. / Photo: © Sandra Rojo